"Goofy's Mechanical Wizard"
I dunno, people, I'm having vague thoughts about poetry after Auschwitz here. Not just with this blog, either. You know, I watch frivolous youtube videos about, you know, videogames and that, and I can't help sort of thinking "argh! What are you doing?!?" Well, what am *I* doing? Also, am I REALLY saying that one can't create art (or whatever my blathering counts as), given the circumstances? Strauss wrote a number of operas during the third reich, including Capriccio in 1942, and he definitely was not a nazi. I mean, living a completely joyless existence is kind of what they want for us (to say the least), so I'm gonna say fuck you to them, but man.
Am I going to preface every entry like this from now on? Hopefully not, but man, I'm not a robot. It just feels odd to be writing stuff in the here and now without some kind of acknowledgement of...this.
In comments to the last entry, Joe said that Moores' Mickey stories are generally superior to his Donald (also true of Romano Scarpa). And I thought, have I read any of those? Probably. Not really sure. But I certainly don't know them very well, so here is THIS.
As you may know, Moores did inks for a number of Bill-Walsh-era Gottfredson stories. So we DEFINITELY know he's at least somewhat familiar with the master, in a way that you sometimes sort of question whether duck writers were with Barks. So did any of that rub off on him? Let's find out.
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