In any event, Gyro absolutely plays into this sense. In fact, he may be a big part of the reason I started thinking this way in the first place. I have to say, I'm a big fan of the guy. His stories may not have the depth of much of Barks' other work (most of them are only four pages long, after all), but for what they are, they're just plain fun. I always liked their sort of cozily secluded feel--usually there aren't any significant characters other than Gyro himself and his helper (and can I take a moment to say what a great idea the helper was? His comic business and little mini-plots that run parallel to the main story really add richness to what are generally fairly simple affairs), and they're all about Gyro inventing cool stuff. I couldn't/can't help thinking of his house/workshop as a sort of self-contained little mini-utopia, if that's not getting too pretentious. Or, hell, even if it IS. It's my blog; I can be pretentious if I WANNA.
Anyway, "Krankenstein Gyro:" a perfect example of this view both of inventing and of what Gyro's world is like.
The plot is simple: after seeing a movie called Dr. Krankenstein about a mad scientist who creates LIFE!, Gyro decides to have a go himself.

See? What do these chemicals have in common? What do they mean? As I've been saying: there is no logical chain here. It's all magic. Anyway, he uses this stuff to make an egg:

"Whatever comes from this experiment will no doubt surprise even me!" In the real world, the scientist would probably at least have a general idea of what to expect, but here it's a crapshoot because--not to belabor a point--it's magic rather than science. Alakazam!
Since when does Gyro have a henhouse? Since NOW. YOU HAVE PROBLEM?
So then he and the helper mope around wondering what's gonna come of his experiment, and the sense of tension really is kind of palpable.

I have to say, those are some of my favorite panels in duckdom. There's really a poetry to this kind of surrealism, and it does what poetry does best: evokes moods that can't be translated into plain text.
The results?

...similarly surreal. You might argue that this doesn't make a whole lot of sense, but SHEESH--have you been listening to a WORD I've said here? Just as Scrooge's binful of cash speaks to the way kids conceptualize money, so this here speaks to the way they conceptualize "inventing." Good times all around!
Since this is a short story, let's finish this entry with a few amusingly weird examples of Gyro looking/acting out-of-character.
First, Obese Gyro:

Second, Beatnik Gyro:

And finally, my favorite, Hungry-like-the-Wolf Gyro:

That expression on his face will never fail to crack me up, both for its own sake and for the way it plays against the character's general social awkwardness. Occasionally we see Donald tempted by hot duck babes; it's interesting to see Gyro with corresponding hot crane babes.
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