"The Magnetic Curse"
I swear, I'm going to try to have something about a Barks classic soon, but I need an easy layup, and for that, we have this story, recommended (or...highlighted, anyway) by Debbie Anne on social media. This is from Uncle Scrooge 204, in 1983, as Western was entering its death spasms. But that doesn't mean they couldn't churn out stories like...this! Drawn by Jack Manning; inducks doesn't specify, but it's definitely written by Vic Lockman. THERE'S a name I haven't heard in a long time.
We open in media res, as Barks did in a series of quite good stories in the mid-sixties. I'd say this is about as good as those, so get ready for FUN! I do quite enjoy "What's with Uncle Scrooge?" It just makes me picture some dudes commenting on the scene: "hey, what's wit dat guy? What's 'is deal? Can 'is mattress evade 'im, or what? Aw, 'e must be screwy!" I don't know what kind of accent that was supposed to be. And how, truly CAN his matress evade him? This question piques your curiosity and demands that you read on.
Yes, let's. Ooh, computers. It's kind of interesting to see these later stories grappling with the sort of computers that would directly lead to what we have today. Sure, older stories would feature giant mainframes, but that's not quite the same, is it? Still, writers didn't necessarily seem to have much of a grasp on what these things are good for. Was there any younger talent doing Disney comics at this time? You always see the same names. Was it a gerontocracy, like the Democratic party? Shit, I mentioned politics. Grrbah!
Books on "how to make money," indeed. Hard to imagine there are too many ideas he hasn't thought of yet. Also, sorry, but that's BORING! "How to make money," indeed! Zhuzh it up a little, eh? And holy crud, that is definitely the first time I've ever used that word. How do you do, fellow kids?
Anyway, to my disappointment, the computer doesn't actually play any significant role in the story. It's just this springboard to launch the improbable action. Lockman gets to gesture at a new-fangled thing without really doing anything with it. Unacceptable!
A Scroogian dilemma with precedent. I don't know if it's a compliment or criticism to say that I doubt Lockman knew any of those, though. Huh.
Yes. These beloved characters. Did you see this coming? Maybe! Why do they look like that? Who knows? They have to look like SOMETHING, don't they? "Elementary elving" is one of those litle Lockmanian touches; it's not bad, though the horrid non-euclidean geometries they employ to infiltrate out world may causes us to wake up in a cold sweat for years to come.
And so...
Lockman, you orientalist motherfucker. I mean that in a friendly way. Kind of. I want to mention Dorfmann and Mattelart, but this is probably more an Edward Said situation, innit? Also, I mentioned them in passing, which still counts! Ka-ching! But in all seriousness, this sort of "Mystical East" stuff is a bit jarring in a comic of this provenance. Sure, this stuff is still present to some extent, but rarely in such an unadorned fashion. Whatevz!
Okay, "the code words were changed" is kind of funny, though as is often the case, I'm not sure I'm laughing at it in a way Lockman would have intended. Well, never mind; death of the author and all. Not that it really should be "the code words had been changed," but that would've overflowed the speech bubble. Was this intentional? Am I getting into conspiracy theories about old comix? Maybe. And not to spell out the obvious, but I'd love to know what administrator is in charge of password security.
I have my doubts that you even tried every"open"+[plant] combination, let alone every phrase known to man, but okay, we'll let it slip. It's nice that we're getting some background detail, I guess.
...a slightly unnerving amount of background detail, even. What is a "perfectly good supersonic blast?" It sounds like it's supposed to be some kind of missile. I think we can safely use the word "iffy" to describe Lockman's grasp of technology.
Dammit. "The Genie." Who's the genie? Does Lockman think the story of Ali Baba involved a genie? You just make your weird assumptions, and then you stick them in your duck story. THAT is how we roll around here!
There's just something about that "where I'm still a very rich duck!" panel--you can find similar things in other undistinguished stories. I can't scientifically say how frequent it is, but you know. You see it around. Sure, Barks does similar things sometimes, but with these z-tier artists, it always, always looks like he's desperately trying to convince himself.
A GREAT HORROR! I'll show you great horror, mumble mumble. I feel like the main reason Scrooge is so off-model in that bottom panel is that Manning felt the need to squash him a bit to make him fit along with the bin and the largish text box. You can see Barks do that occasionally, but rarely in stories he actually wrote; the best solution is to not get into this foolishness in the first place.
BONK! It is, I suppose, sort of interesting to envision what this would actually LOOK like. Someone like Marco Rota could probably do a good approximation, though. Jack Manning, I dunno, man. I feel sort of bad constantly disparaging the art of this super-obscure (not even a wikipedia page) cartoonist from lo these many years ago. I hope none of his loved ones are reading this. But DANG, man!
Dangit, not your first dollar! Is Lockman even vaguely aware of the (admittedly loose) Uncle Scrooge continuity? Whatever; it's fine. Do what you want. As I think I've noted previously, a lot of these lesser stories don't even feel as though they're about the same characters we know and love. Fanfiction, except that I don't think they were really fans. Huh.
However, I do enjoy seeing it bonk Gyro in the head. Scrooge sticking "whereby" in there, being all fancy like it's nothing...I seem to recall these thinking cap birds in some other Lockman thing, so there you go. Some might argue that saying Gyro gets his ideas from magic birds is even MORE blasphemous than attributing Scrooge's wealth to a magic hourglass. I suppose the idea could be that Gyro's still the smartest, but his genius needs some sort of catalyst. None of the others could do what he does, even WITH the cap. But what will happen when Emil Eagle tries it on? And how will Moby and Dimwitty react? Oops, I got caught up in my Lockman fanfiction again. What was my point? There is no way to know.
Sounds like a ransom demand to me. Also, Gyro glues them together the what in the form of a what? Of course, Barks had Gyro invent a wishing well and tangle with a witch doctor, so one can't complain TOO hard, I guess, but as inventions go, supernatural or not, this is pretty underwhelming.
I mean, you tell me. Are you whelmed? Does your whelmedness overflow its banks and engulf the nearby city, which had been built impractically low on the flood plain, a problem now exacerbated by climate change. What?
Also, you feel silly? Well, you look like an asshole! Grrr.
Mmm. Scrooge may live to regret this, in a King-Midas-esque way. A classic Lockmanian "Wak-Wak-Wak."
Anyway, that's all for now. Does this story deserve to be reprinted? No! But only marginally less-so Paul Murry stories we could name. Grumble grumble.
Labels: Jack Manning, Vic Lockman
13 Comments:
I'll have you know that "Gyro's Thinking Cap" is included in the character list on INDUCKS, where you can bring up the list of nearly a hundred stories including it, some of them Brazilian! I guess people think it looks funny? But it's never added anything positive to the Gyro mythos in my book.
Woah, those are some seriously unattractive elves! What was the thought process? "Let's make them pink-nosed, green-skinned, wispy-haired, cross-eyed hoboes in pointy hats, that's the ticket. Kids will love them! They'll clamor to have us bring them back in a sequel!"
Social media, you say? Are *you* on social media, and where? I'd give you a follow if it's somewhere I also lurk!
I think I'm a bigger fan of Manning than most, although this isn't his best outing. His backgrounds are on the weaker side, but at his best he's got a pleasantly confident cartoonish style, more reminiscent of Hanna-Barbera cartoons of the era than anything Disney; which I find more pleasant than the uncanny-valley effect you get when a Strobl or a Kay Wright is trying and failing to duplicate the Barksian "look".
One puzzling thing about the way Lockman thinks computers work is that the plot logic seems to require that the computer somehow be able to monitor the amount of *cash* currently in the Money Bin at a given time. Wacky.
You write: “Does Lockman think the story of Ali Baba involved a genie?”
Actually, I think he thinks the story of Aladdin involved 'Open Sesame'! (Presumably he mixed up the cave from Ali Baba with the cave of treasures from Aladdin.) See the dialogue bubble in that groan-worthy establishing panel of the "mystic land:" "home of Aladdin… and a magical mountain full of treasure". No Ali Baba here. It is mildly amusing to try and read the note from the Genie in the voice of Robin Williams, or to imagine that it came from Floyd Gottfredson's take on Aladdin's Genie in "The Secret of Moook".
We actually do see "Scrooge's First Dollar", framed in his office, in such Barksian classics as 'Christmas for Shacktown' and 'Only a Poor Old Man', separate from the Number One Dime, so it's actually a very canonical piece of Duck-lore! I'm surprised Don Rosa didn't make a point of it in the L&T, it'd be quite easy to work in — Scrooge deciding to hang on to the first wages he receives after crossing the Atlantic would be quite a good beat for Chapter 2. (That selfsame First Dollar also formed the basis of another Manning-drawn story, although it, er, it wasn't very good; see here. https://featherysociety.proboards.com/thread/1225/review-number-dollar-contender-worst)
Gyro's Thinking Cap: utterly bizarre little bit of lore. I think it's less of a character betrayal than the Magic Hourglass, though, because clearly we are meant to think Gyro invented it as a means to bootstrap his way into coming up with more ideas. He had to be a genius inventor to start with. (Hmm. There's probably a rather biting little A.I./L.L.M. satire to be done with the Thinking Cap in this day and age…) Mind you, I think in my head, quite apocryphally, I picture the Cap as simply being a good-ideas-detector: Gyro lets his mind run wild, and the telepathic birds serve as a kind of peer-review committee, crowing when he lands upon an idea that really could work out of a flurry of eccentric notions. That seems like an invention head-in-the-clouds Gyro could use to keep his eyes on the prize, and which doesn't devalue his native talent.
Any and everyone here should feel free to follow or friend me on facebook. I think my name is pretty public, and I have the same profile picture I use here. Not sure how interesting it'll be, though; I mostly just post occasional spasms of political rage interspersed with bits of surrealism.
Ah, alas — Facebook. I'm not on *there*. Still, thanks!
I mean, I'm also on Bluesky, as is Debbie Anne, but I'm even less active there.
Ah, so you are! That's something.
Nice to see you back bloging GeoX :)
Yep, goblins or gremlins would be my first guess waaay before I would get to elfs.
I never got idea how thinking cap is ment to work but I guess it's better then him smacking his head with a hammer.
Not familiar with this story so I don't have that much to add beyond: you forgot to add links with names at the end so we can trace other stories by the creators on your blog.
Hope for most posts soon (we all need it to escape from out politics... drat I mention it, didn't I?) ;)
Also Mr. Lockman, if you going to have just bare springs under matress at least take advantage of the possible slapstick and have the springs spring him up, hit the ceiling or out the window and go "Ouch, ouch my head!" or something incredible funny like that.
Yes, I second Pan's judgment, that at least the thinking cap is way better than having Gyro hit himself on the head with a hammer. *That's* something that I've elided right over in my personal canon. Does this go back to the basic difficulty in portraying creative processes visually? Character is thinking real hard and productively...how do we get that across in a visually interesting way? The light bulb is a visual cliché and also confusing when Helper is in the picture. The hammer is a resort to slapstick humor. The thinking cap is...just weird, I'd say, but at least kinda cute?
This is why there are so few good movies about creative geniuses which manage to portray the excitement of the creative process.
Relevant links added. Also, as I was doing that I saw that this is apparently the first Manning story I've ever covered. Whoa!
I just noticed that you covered this silly story. These late Whitman Scrooge stories are kinda fun. Not fun the same way that Barks or Van Horn are fun, but fun in a “lowered expectations” way. Jack Manning’s art is nothing else if not lively. His art is more fun to look at than Kay Wright or Bob Gregory’s are. The Money Elves look like something out of a Hanna-Barbera cartoon. While it’s not in Barks’ league, the action scenes have an animated feel to them. Manning’s Beagle Boys stories are oddly charming, and he did some nice work on Road Runner and Woody Woodpecker comics as well.
This story is pretty much absurdist nonsense, but it’s fun to read if you can put yourself in a childlike state of mind.
So now Scrooge attracts money. That includes everyone else's money, doesn't it? So Scrooge won't help but stealing by just coming close to people? Also, what if he gets close to Gladstone? Gladstone's luck dictates he won't lose his money so what then?
Seems like an immovable object/unstoppable force situation.
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